Press
October 25, 2015 | "Bach celebrates the Reformation"
Soprano Caitlin Vincent owns a clear-speaking instrument, even across its range for her counter-melody in bass Jeremy Kleeman's "Alles, was von Gott geboren" aria and her own very exposed "Komm in men Herzenshaus'"solo.
-Clive O'Connell, O'Connell The Music
November 9, 2013 | "Live Arts' opening performances set stage for joyous holiday season"
Soprano Caitlin Vincent sang a lovely "Pie Jesu," resembling a lullaby that grows in spellbinding intensity.
Mary Johnson, The Baltimore Sun
May 25, 2013 | "Baltimore premieres Camelot Requiem"
With her dark hair and attractive demeanor, [Vincent] resembled the first lady as her lush sound soared above the musical depiction of the events that took place at Parkland Memorial Hospital in Texas and the Bethesda Naval Hospital in Maryland.
Maureen Mitchell, Opera Today
May 18, 2013 | "JFK Opera: Figaro Project’s Camelot Requiem casts somber light on New Frontier"
Soprano Vincent flawlessly carried the lion’s share of the show, sending stratospheric notes into the air as if they were actual cries to heaven. Equally impressive were the demanding measures Vincent purposefully choked back when she, as Jackie says, “I keep waiting for someone to say it isn’t true.”
Anthony Hayes, Baltimore Post-Examiner
May 15, 2013 | "Figaro Project gives admirable premiere of Camelot Requiem"
Vincent got deep into character as Jackie and sang with a bright tone.
Tim Smith, The Baltimore Sun
May 13, 2013 | "The Figaro Project stuns with Camelot Requiem"
It is truly the performances of [. . .] and more-so Caitlin Vincent as Jacqueline Kennedy that make Camelot Requiem so captivating and magical. Left alone on stage, Vincent delivered the most emotionally devastating singing and acting of the performance.
Megan Ihnen, The Sybaritic Singer
May 11, 2013 | "Camelot Requiem performed by The Figaro Project"
Vincent gave a stunning rendition of Bornfield’s unsettling and heart-rendingly beautiful setting of “So many roses coming out of the hole in his head,” undergirded by hollow sounds from the ensemble that ultimately dripped away.
Douglas Buchanan, Image-Music-Text
September 27, 2012 | "Chorale delivers it all with Guys and Dolls"
Vincent was wonderful in Cuba where she drinks too many “Cuban Milkshakes” at the urging of Sky Masterson.
Lily Grace Hudson, The Capital Gazette
September 26, 2012 | "Live Arts Maryland starts season on high note with Guys and Dolls"
As "mission doll" Sarah Brown, Caitlin Vincent moved from her initial operatic perch in "I'll Know" to a warm rendition of "If I Were a Bell" and later showed some nifty dance moves in her Havana scene.
Mary Johnson, The Baltimore Sun
May 14, 2012 | "The Figaro Project Delights Audiences with Who Killed Don Giovanni?"
Vincent’s “Vedrai carino,” although provocative, was marked by overarching phrasing.
Megan Ihnen, The Sybaritic Singer
April 2, 2011 | "Baltimore's The Figaro Project premieres three new one-act operas "
The casts of all three operas were quite good; standouts included Caitlin Vincent in Piecing It Apart.
Rob Deemer, Sequenza21.com
April 16, 2010 | "Love . . . and Marriage of Figaro"
Vincent’s ebullient character depiction was evident in her performances as Susanna as well as in the aria “Je Suis Encor” from Manon.
Megan Ihnen, The Sybaritic Singer
November 19, 2006 | "18th Century Cantatas Morphed for Modern Crowd"
Vincent, the clear standout of the entire performance, played the role of a demanding woman flawlessly. From training her companion on the proper way to kiss her hand to nearly knocking the wind out of her counterpart with her umbrella, her interactions. . . inspired laugh after laugh in the audience. Vincent’s beautiful singing voice was matched by such expressive gestures that even without reading the translation of her words, their meaning was clear.
Jessica Rothenberg, The Harvard Crimson
Soprano Caitlin Vincent owns a clear-speaking instrument, even across its range for her counter-melody in bass Jeremy Kleeman's "Alles, was von Gott geboren" aria and her own very exposed "Komm in men Herzenshaus'"solo.
-Clive O'Connell, O'Connell The Music
November 9, 2013 | "Live Arts' opening performances set stage for joyous holiday season"
Soprano Caitlin Vincent sang a lovely "Pie Jesu," resembling a lullaby that grows in spellbinding intensity.
Mary Johnson, The Baltimore Sun
May 25, 2013 | "Baltimore premieres Camelot Requiem"
With her dark hair and attractive demeanor, [Vincent] resembled the first lady as her lush sound soared above the musical depiction of the events that took place at Parkland Memorial Hospital in Texas and the Bethesda Naval Hospital in Maryland.
Maureen Mitchell, Opera Today
May 18, 2013 | "JFK Opera: Figaro Project’s Camelot Requiem casts somber light on New Frontier"
Soprano Vincent flawlessly carried the lion’s share of the show, sending stratospheric notes into the air as if they were actual cries to heaven. Equally impressive were the demanding measures Vincent purposefully choked back when she, as Jackie says, “I keep waiting for someone to say it isn’t true.”
Anthony Hayes, Baltimore Post-Examiner
May 15, 2013 | "Figaro Project gives admirable premiere of Camelot Requiem"
Vincent got deep into character as Jackie and sang with a bright tone.
Tim Smith, The Baltimore Sun
May 13, 2013 | "The Figaro Project stuns with Camelot Requiem"
It is truly the performances of [. . .] and more-so Caitlin Vincent as Jacqueline Kennedy that make Camelot Requiem so captivating and magical. Left alone on stage, Vincent delivered the most emotionally devastating singing and acting of the performance.
Megan Ihnen, The Sybaritic Singer
May 11, 2013 | "Camelot Requiem performed by The Figaro Project"
Vincent gave a stunning rendition of Bornfield’s unsettling and heart-rendingly beautiful setting of “So many roses coming out of the hole in his head,” undergirded by hollow sounds from the ensemble that ultimately dripped away.
Douglas Buchanan, Image-Music-Text
September 27, 2012 | "Chorale delivers it all with Guys and Dolls"
Vincent was wonderful in Cuba where she drinks too many “Cuban Milkshakes” at the urging of Sky Masterson.
Lily Grace Hudson, The Capital Gazette
September 26, 2012 | "Live Arts Maryland starts season on high note with Guys and Dolls"
As "mission doll" Sarah Brown, Caitlin Vincent moved from her initial operatic perch in "I'll Know" to a warm rendition of "If I Were a Bell" and later showed some nifty dance moves in her Havana scene.
Mary Johnson, The Baltimore Sun
May 14, 2012 | "The Figaro Project Delights Audiences with Who Killed Don Giovanni?"
Vincent’s “Vedrai carino,” although provocative, was marked by overarching phrasing.
Megan Ihnen, The Sybaritic Singer
April 2, 2011 | "Baltimore's The Figaro Project premieres three new one-act operas "
The casts of all three operas were quite good; standouts included Caitlin Vincent in Piecing It Apart.
Rob Deemer, Sequenza21.com
April 16, 2010 | "Love . . . and Marriage of Figaro"
Vincent’s ebullient character depiction was evident in her performances as Susanna as well as in the aria “Je Suis Encor” from Manon.
Megan Ihnen, The Sybaritic Singer
November 19, 2006 | "18th Century Cantatas Morphed for Modern Crowd"
Vincent, the clear standout of the entire performance, played the role of a demanding woman flawlessly. From training her companion on the proper way to kiss her hand to nearly knocking the wind out of her counterpart with her umbrella, her interactions. . . inspired laugh after laugh in the audience. Vincent’s beautiful singing voice was matched by such expressive gestures that even without reading the translation of her words, their meaning was clear.
Jessica Rothenberg, The Harvard Crimson
